DSP·FX Hardware Magazine Reviews and User Comments
Full Magazine Articles
Magazine Review Excerpts
Mix Magazine
(Dave Tosti-Lane, July 1997)
"I found the effects to be very high quality,
and would not hesitate to use them in any project.
I'd have to say that the DSP·FX system is a solid
investment and a solid addition to the studio."
Designated a Product Hit of NAMM 1996 Convention
Electronic Musician Magazine
(review by Zack Price, January 1997)
"I really like this product. I am impressed with how it sounds...All
the plug-ins are highly useful, and working with them is a piece of cake."
Audio Quality Rating: 5 (highest rating)
Sound On Sound Magazine
(review by Dominic Hawken, January 1997)
"Effect editing is a simple process...The sonic quality is extremely
high. The reverb plug-in has a remarkable depth and clarity,
is extremely realistic and really has to be heard to be believed...
Highly recommended for any digital studio."
Audio Media Magazine
(review by Jeff Mac)
"This is great...It is definitely going on the
most wanted list for my studio."
Recording Magazine
(review by Dave Martin, November 1996)
"The reverbs are dense and smooth, the chorus algorithm is almost silky,
and the flange sounds like real tape flanging, as opposed to a digital
effect...DSP·FX sounds great...a viable alternative to the better
known high end processors, AMS, Lexicon and T.C. Electronics."
EQ Magazine
(review by Wade McGregor, October 1996)
"Excellent true stereo effects, very low noise floor, hugely expandable,
DSP·FX provides a visual interface which is extremely easy to
use and shows everything you need to know about the parameters in a
single glance."
Radio World Magazine
(review by Bruce and Jenny Bartlett, October 16, 1996)
"The sound quality of the effects is excellent. DSP·FX is a well-executed
package that offers many advantages over conventional
effects boxes."
Pro Audio Review
(review by Loren Alldrin)
"If you're after realism, DSP·FX has it in droves...
This was the first time my brain has been completely fooled by a reverb
simulation...The software seems rock-solid."
User Comments
Craig Anderton
(Music Technology Guru, and EQ Magazine Editor)
"DSP/FX worked just fine within 10 minutes of opening the computer."
"Guitars and Vocals were FABULOUS, those long lush tails sounded great."
"The graphics made it really easy to see what was going on at a glance.
Very cool."
Robert Campbell
Product Group Manager, Digidesign
"This totally rocks with Session 8 and Audiomedia III."
Tom Size
Multi-Platinum Producer/Engineer
(Aerosmith, Ella Fitzgerald, Mr. Big, Abraxis)
"First time I've heard a reverb where I felt like I was really in the
room...It has more depth than a Lexicon 480."
Rene Troncoso
Zygote Production
"While the sonic quality is definitely "high-end", I feel that the
price/performance of the DSP·FX opens up a great opportunity
for delivering professional quality effects to mid-range studios."
Walter Afanasieff
Multi-Platinum Producer/Writer
(Mariah Carey, Boyz II Men, Barbra Streisand)
"I was blown away when I first saw DSP·FX...you can finally see
what you're hearing"
Gary Garritan
Arist Producer
(Heavenly Records)
"It's phenomenal. It's fantastic. It's the best effects processor
I have ever heard."
Manny LaCarrubba
Chief Engineer
(The Plant Studios, Sausalito, CA)
"The interface is extremely easy to use, I know instantly where
I am...The chorus made the mix really come alive...An awful lot of
processing for the buck."
Quintin Gregor
Sandrose Studios
"Am VERY impressed by the quality and clarity of the sound."
Tim Kirk
Digital Recording Consultant - IBUM Digital
"This is the EQ I always dreamed of."
Ian Mclagan
Artist
(Credits: Small Faces, Rolling Stones, Bob Dylan)
"The Best F***ing Effects Processor I have ever seen!."
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